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Vous avez sélectionné:
Come Back Around
Partitions à imprimer
264 partitions trouvées
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Someone You Loved
Someone You Loved
#
Trompette
#
DÉBUTANT
#
Lewis Capaldi
#
Josiel Oliveira
#
Someone You Loved
#
M das Melodias
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99 ≈
4.65€
Someone You Loved
Someone You Loved
#
Clarinette
#
DÉBUTANT
#
Lewis Capaldi
#
Josiel Oliveira
#
Someone You Loved
#
M das Melodias
#
SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99 ≈
4.65€
Someone You Loved
Someone You Loved
#
Violoncelle (partie séparée)
#
Lewis Capaldi
#
Josiel Oliveira
#
Someone You Loved
#
M das Melodias
#
SheetMusicPlus
Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Olive...
(+)
Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117502. Published by M das Melodias (A0.505840). Music score Someone You Loved for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99 ≈
4.65€
Someone You Loved
Someone You Loved
#
Violon
#
DÉBUTANT
#
Lewis Capaldi
#
Josiel Oliveira
#
Someone You Loved
#
M das Melodias
#
SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by J...
(+)
Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #117486. Published by M das Melodias (A0.505824). Music score Someone You Loved for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99 ≈
4.65€
Back To The Future
Back To The Future
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Alan Silvestri
#
Graham Boag
#
Eric Stoltz was cast instead
#
Back To The Future
#
Graham Boag
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and part...
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Concert Band - Level 4 - SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99 ≈
55.96€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
23.32€
Five Songs for Soprano - Song-Cycle, Op. 14
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation. The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...”Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...”Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves. 5. My soul is awakened...” Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99 ≈
6.52€
Consciousness 2.0
Consciousness 2.0
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Piano seul
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INTERMÉDIAIRE
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0....
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Piano Solo - Level 3 - SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49 ≈
3.26€
All Around the Halloween Pyre (Halloween arrangement for Easy Piano)
All Around the Halloween Pyre (Halloween arrangement for Easy Piano)
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Piano Facile
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DÉBUTANT
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Halloween
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Traditional
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Amanda Dills
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All Around the Halloween Pyre
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.829753 Composed by Traditional. Arranged by Amanda Dills. Children,Folk,Holiday,Instructional,Traditional. Score. 1 pages...
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Easy Piano - Level 1 - SKU: A0.829753 Composed by Traditional. Arranged by Amanda Dills. Children,Folk,Holiday,Instructional,Traditional. Score. 1 pages. Amanda Dills #3675889. Published by Amanda Dills (A0.829753). This minor-key version of the folk song All Around the Mulberry Bush is perfect for very early beginning piano players. The left hand moves from Middle C position to C-position and back for a fun challenge, and both the right and left hand have 2-note chords to add interest. A great song for Halloween in year one of piano lessons!**View more of my Halloween-themed Arrangements on Sheet Music Plus! (Links are below)**Beginning Piano7 Sinister Songs for Easy Piano [Collection] (S0.426087)- ADDAMS FAMILY THEME (H0.422913-4800)- Black Bat, Black Bat (S0.423067)- Oh, I Come From Sleepy Hollow (S0.423009)- Oh, When the Ghouls (S0.426079)- Over the Graveyard and Through the Wood (S0.423055)- RADIOACTIVE (H0.194611-227204)- Spooky (Baby) Shark (S0.885725)- The Spooky, Scary Spider (S0.422885)- Trick or Treat (S0.422997)Intermediate Piano- Pumpkin Spiced Piano [variation of Tchaikovsky's Arabian Dance] (S0.883763)- Tenth Piano Suite [Dr. Who - themed Piano Solos] (S0.26571)Choral:- Facebook Fugue/What Scares You [SAB] (S0.200665)*********
$1.99 ≈
1.86€
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Piano Facile
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DÉBUTANT
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Jolea Jensen
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Arr
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Play in Harmony in 12 Major Ke
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Jolea Jensen
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,Wor...
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Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 Aijā, Žūžū, Lāča Bērni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00 ≈
18.66€
Falling
Falling
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Chorale SATB
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Contemporain
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Nathaniel White
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Falling
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Nathaniel White
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1032044 Composed by Nathaniel White. Contemporary. Octavo. 6 pages. Nathaniel White #4301465. Published by Nathaniel White...
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Choral Choir (SATB) - SKU: A0.1032044 Composed by Nathaniel White. Contemporary. Octavo. 6 pages. Nathaniel White #4301465. Published by Nathaniel White (A0.1032044). This song is about a married woman. Every step she takes, her husband supports her. She is enveloped in his world, and he is enveloped in her's. Suddenly, this man dies. She is overtaken by this lonely feeling. Her better half has just been stolen from her. The word, Falling, is repeated to describe the fact that she knows that she is falling down a bottomless pit called her heart. The words, I can't hear a sound are said to describe that not only is she blinded by her grief but she is deafened as well. She cannot focus on the world around her because her grief consumes her. The words, I want to go home are spoken to describe that her husband was her home. She had her safety net ripped from underneath her and it will never come back. The words, I want to be free are spoken in unison with the entire choir to describe that everyone feels this way at least once in their life. They all have been thrown into a cell that some call the heart, and they've lost the key. The last portion is the same as the beginning portion because the woman is remembering her husband in all of his glory. The last chord ends in major because she has had the epiphany that he lives on, within her memories.
$4.50 ≈
4.20€
A Night in Tunisia
A Night in Tunisia
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Joan Cartwright
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Joan Cartwright
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A Night in Tunisia
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FYI Communications Inc
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SheetMusicPlus
Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - SKU: A0.1325114 By Joan Cartwright. By Dizzy Gillespie. Arranged by Joan Cartwright. 20th Century,2...
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Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - SKU: A0.1325114 By Joan Cartwright. By Dizzy Gillespie. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz. Full Performance. Duration 334. FYI Communications Inc #913336. Published by FYI Communications Inc (A0.1325114). A NIGHT IN TUNISIAMusic by Dizzy Gillespie and Lyrics by Joan Cartwright It was a beautiful night in Tunisia She followed him back to his door The hour was late when he seized her But she hung around for more The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell Warm was the kiss his lips kept taking Breathless was she, her inhibitions forsaken (Drum roll) The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell She remembers the night in Tunisia As a moment of magic explored And each time she comes back to Tunisia He finds her waiting at his door She comes running back for more She finds her way back to his door.
$1.99 ≈
1.86€
Zombie Jamboree (back To Back)
Zombie Jamboree (back To Back)
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Chorale TTBB
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FACILE
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Conrad Eugene Mauge, Jr
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Jake Bavarsky
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Zombie Jamboree
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Jake Bavarsky
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1224143 Composed by Conrad Eugene Mauge, Jr. Arranged by Jake Bavarsky. 20th Century,A Cappella,Barbershop,Broad...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1224143 Composed by Conrad Eugene Mauge, Jr. Arranged by Jake Bavarsky. 20th Century,A Cappella,Barbershop,Broadway,Chamber,Musical/Show. Octavo. 9 pages. Jake Bavarsky #820240. Published by Jake Bavarsky (A0.1224143). This timeless classic based on Conrad's Jumbee Jamboree is a staple of a cappella nuts all around! Now it's available in TTBB voicing for a Barbershop Ensemble! Add variety and comedy to your program with the ability to add skits in the arrangement that will get your audience out of there seats and laughing like crazy! This arrangement was made to honor my recently deceased hero and king of Calypso: Harry Belafonte Jr.
$2.99 ≈
2.79€
Screen Door
Screen Door
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Orchestre d'harmonie
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FACILE
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Rich Mullins
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Phyllis Hopper
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Screen Door
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HopSez Productions
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.898530 By Rich Mullins. By Rich Mullins. Arranged by Phyllis Hopper. Blues,Contemporary. Score and parts. 40 pages. Hop...
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Concert Band - Level 2 - SKU: A0.898530 By Rich Mullins. By Rich Mullins. Arranged by Phyllis Hopper. Blues,Contemporary. Score and parts. 40 pages. HopSez Productions #504843. Published by HopSez Productions (A0.898530). This light-hearted piece is a lot of fun to play. Arranged for a k-12 school's pep band. An optional intro uses body percussion to potentially engage the audience. The first musical section is part A, all parts melody; the second section is part A, all parts harmony. You can mix and match. The third section is the B portion of the song, with mixed melody and harmony. The third section is back to part A, but with parts dropping out, then everybody comes back in to wallop the last note. The piece is designed for easy repetition, so the music can be sustained for as long as you want. Hope you have a lot of fun playing around with this!
$49.99 ≈
46.63€
For the Beauty of the Earth (3 octaves)
For the Beauty of the Earth (3 octaves)
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Folliet S
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John Wernega
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For the Beauty of the Earth
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John Wernega
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.1045572 Composed by Folliet S. Pierpoint and Conrad Kocher. Arranged by John Wernega. Contemporary,Jazz,Praise & Worship,Sa...
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Handbell - Level 3 - SKU: A0.1045572 Composed by Folliet S. Pierpoint and Conrad Kocher. Arranged by John Wernega. Contemporary,Jazz,Praise & Worship,Sacred,Spiritual. Score. 2 pages. John Wernega #650147. Published by John Wernega (A0.1045572). This arrangement is full of counterpoint and hauntingly beautiful contemporary chord voicings. The melody shifts down an octave after the first verse, then comes back up to the upper octave, giving it a feel of the melody traveling around. Although only three octaves of bells are needed for this arrangement, it has a very robust sound. This is sure to be a pleasing number for your audience or congregation.
$2.99 ≈
2.79€
Come In From The Night
Come In From The Night
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Rock
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Chicago
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Patrick Sheehan
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Come In From The Night
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748025 By Chicago. By Bill Champlin and Bruce Gaitsch. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 80 pag...
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Small Ensemble - Level 5 - SKU: A0.748025 By Chicago. By Bill Champlin and Bruce Gaitsch. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 80 pages. Patrick Sheehan #5194707. Published by Patrick Sheehan (A0.748025). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Keyboard IV, Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO 19, released in 1988. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.32€
O Come, All Ye Faithful [Chicago] (full score & set of parts)
O Come, All Ye Faithful [Chicago] (full score & set of parts)
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[traditional]
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Patrick Sheehan
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O Come, All Ye Faithful [Chica
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748061 Composed by [traditional]. Arranged by Patrick Sheehan. Christmas,Praise & Worship. Score and parts. 64 pages....
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Small Ensemble - Level 5 - SKU: A0.748061 Composed by [traditional]. Arranged by Patrick Sheehan. Christmas,Praise & Worship. Score and parts. 64 pages. Patrick Sheehan #5370251. Published by Patrick Sheehan (A0.748061). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Flute, Alto Flute (G), Keyboard, Acoustic Guitar, Bass, Triangle, Maracas, Conga Drums, Drumset. All parts transcribed by ear from the original recording from CHICAGO - THE CHRISTMAS ALBUM released in 1998. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.32€
Come To Me, Do
Come To Me, Do
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Contemporain
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Robert William Lamm
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Patrick Sheehan
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Come To Me, Do
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748087 Composed by Robert William Lamm. Arranged by Patrick Sheehan. Contemporary. Score and parts. 106 pages. Patric...
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Small Ensemble - Level 5 - SKU: A0.748087 Composed by Robert William Lamm. Arranged by Patrick Sheehan. Contemporary. Score and parts. 106 pages. Patrick Sheehan #5758843. Published by Patrick Sheehan (A0.748087). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Keyboard IV, Electric Guitar I, Electric Guitar II, Bass, Tambourine, Shaker, Conga Drums, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.32€
Mode Swings for Brass Quintet
Mode Swings for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Norman Wilcox
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Mode Swings for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792425 Composed by Norman Wilcox. 20th Century,Concert,Contemporary. Score and parts. 30 pages. Gordon Cherry #482162...
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Brass Ensemble - Level 5 - SKU: A0.792425 Composed by Norman Wilcox. 20th Century,Concert,Contemporary. Score and parts. 30 pages. Gordon Cherry #4821627. Published by Gordon Cherry (A0.792425). Norman Wilcox has written a new work for Brass Quintet titled Mode Swings. It is in A-B-A format beginning with a lively, rhythmic melody in mixed meter which is passed around the group. The B section features a lyrical Trombone solo and 2nd Trumpet. The A section comes back to life and finishes off a most delightful work. This work is written for advanced performers at about 4 1/2 minutes in length and will work very well in a recital or concert.
$17.50 ≈
16.32€
A Swedish Waltz
A Swedish Waltz
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Piano seul
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AVANCÉ
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Stefano Olcese
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A Swedish Waltz
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Stefano Olcese
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.934336 Composed by Stefano Olcese. Concert,Contemporary,Film/TV,Romantic Period. Score. 5 pages. Stefano Olcese #6718813....
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Piano Solo - Level 5 - SKU: A0.934336 Composed by Stefano Olcese. Concert,Contemporary,Film/TV,Romantic Period. Score. 5 pages. Stefano Olcese #6718813. Published by Stefano Olcese (A0.934336). This is a waltz in D minor for piano solo that I have composed in 2020 and slightly modified in 2021. If played as I imagine it its length should be around 4'30. It starts simply, with a melancholic melody (A) and then it switches to a difficult section (B) in which the player will need power - especially on the left hand - and technical skills. The dynamic and mood contrast between A and B should be huge. The main theme then comes back, but very modified and contaminated (A1). One last theme is exposed (C) before the reprise (A) and the conclusion of the music piece. There are many modulations in this waltz but none of them leads to a stable tonaily change. Feel free to contact me through social media or my website if you are interested in knowing more about my music and possible collaborations:http://www.stefano-olcese.com/https://www.instagram.com/stefano_olcese/
$2.99 ≈
2.79€
Texas Symphony, Movement V. "Metro"
Texas Symphony, Movement V. "Metro"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kathryn Ellis
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Texas Symphony, Movement V. &q
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published ...
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Concert Band - Level 3 - SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00 ≈
46.64€
Come Fly With Me
Come Fly With Me
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Chorale SATB
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AVANCÉ
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Frank Sinatra
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Deke Sharon
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Come Fly With Me
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1189864 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Deke Sharon. 20th Century,A Cappella,J...
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Choral Choir (SATB) - Level 5 - SKU: A0.1189864 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Deke Sharon. 20th Century,A Cappella,Jazz,Pop,Standards. Octavo. 8 pages. Deke Sharon #789462. Published by Deke Sharon (A0.1189864). This a cappella arrangement takes the listener on a trip around the world on the wings of one of Frank Sinatra's most iconic songs. Walking bass and playful background parts support a swingin' solo. Vocal percussion optional.
$1.99 ≈
1.86€
Rock Around The Clock
Rock Around The Clock
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Saxophone (partie séparée)
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FACILE
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Bill Haley & His Comets
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Stefan Lamml
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Rock Around The Clock
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Stefan Lamml
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SheetMusicPlus
E-Flat Alto Saxophone,Instrumental Solo,Tenor Saxophone - Level 2 - SKU: A0.589259 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Ar...
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E-Flat Alto Saxophone,Instrumental Solo,Tenor Saxophone - Level 2 - SKU: A0.589259 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Stefan Lamml. Multicultural,Pop,Standards,Traditional,World. Individual part. 5 pages. Stefan Lamml #198539. Published by Stefan Lamml (A0.589259). Tenor Sax + Alto Sax Transcribtion. Suitable to the Backingtrack from Stefan Lamml. Listen to the mp3 and have a look to the Video.
$4.99 ≈
4.65€
O Come All Ye Faithful (Adeste Fidelis)
O Come All Ye Faithful (Adeste Fidelis)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Francis Wade
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Mark Bisson
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O Come All Ye Faithful
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Mark Bisson
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.900885 Composed by John Francis Wade. Arranged by Mark Bisson. Christmas,Contemporary,Film/TV. Score a...
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String Quartet String Quartet - Level 3 - SKU: A0.900885 Composed by John Francis Wade. Arranged by Mark Bisson. Christmas,Contemporary,Film/TV. Score and parts. 8 pages. Mark Bisson #3627247. Published by Mark Bisson (A0.900885). This is a modern take on an old Christmas favourite, also known as Adeste Fidelis. It has a slower tempo and a more atmospheric and poignant quality than more conventional treatments. It was based on similar piano arrangements of the same music entitled Ambient Carols. In both cases the music was originally conceived as incidental or soundtrack music. It lasts around 2.5 minutes. Suitable as part of a programme for more experienced High School students or as music played in the background of a Christmas event.
$4.99 ≈
4.65€
Six Mozart-Bach Preludes and Fugues, K.404a
Six Mozart-Bach Preludes and Fugues, K.404a
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W
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Daniel Kaplan
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Six Mozart-Bach Preludes and F
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - SKU: A0.1375473 Composed by W.A. Mozart, J.S. Bach, W.F. Bach. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - SKU: A0.1375473 Composed by W.A. Mozart, J.S. Bach, W.F. Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 221 pages. Daniel Kaplan #959960. Published by Daniel Kaplan (A0.1375473). As part of a campaign to enrich the woodwind quintet repertoire, Kaplan has arranged for woodwind quintet the six preludes and fugues for string trio by Mozart (based on fugues, and some preludes, by J.S. and W.F. Bach, with the addition of four original preludes by Mozart). Around 1782 (as recounted by Mozart in a letter to his father), Mozart used to attend Sunday musicales at the home of Baron van Swieten, who required Bach and Handel to be played by all. Presumably it was to comply with the Baron's wishes that Mozart created these arrangements plus original preludes. The arranger surmises that Mozart's immersion in Bachian counterpoint influenced his own works, which increasingly featured interesting, elaborate, musically and emotionally exciting fugues (such as those in the K.387 string quartet, the Jupiter Symphony, and the Requiem). Given Mozart's genius, it is not all surprising that the fugues he selected are all of great musical interest.Note that in arranging string music for woodwinds, one often finds the English Horn better suited to the tessitura than the oboe. The main challenge is to share the string parts among the wind instruments in such a way as to permit the players to breathe. This the arranger has done, but welcomes feedback from players.
$39.00 ≈
36.38€
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